“Psyop Entertainment Complex”
A sophisticated system that controls global perception through coordinated media manipulation.
The Infinite Plane Radio podcast argues that our shared reality is carefully constructed through the intersection of news and entertainment media, working together to create and maintain specific worldviews.
The system operates through three main mechanisms:
1. The “World Stage” – a controlled narrative environment where news and entertainment media collaborate
2. The merging of fake and real events to create artificial historical narratives
3. “Predictive programming” in entertainment that foreshadows and conditions people to accept planned fake news events
The host divides people into three main groups based on their relationship to this system:
1. “Normieville” – The mainstream believers who accept the standard narrative without question. They represent the majority who live comfortably within the system’s primary worldview.
2. “Trutherville” – Conspiracy theorists and right-wing believers who reject mainstream narratives but, according to the author, are still operating within a controlled opposition framework. While they believe they’re “awake,” they’re actually trapped in a nightmare version of the mainstream worldview.
3. “Woketown” – The far-left wing who, like Trutherville residents, oppose the status quo but take pro-government and pro-media stances. They reject alternative media and private sector narratives.
The power structure is described as pyramidal, having three layers:
– “Capstoners” at the top who understand and control the system
– “Bricks” in the middle who help implement it
– “World Stagers” at the bottom who believe in and live within the manufactured reality
Ozman argues that both Trutherville and Woketown, despite their apparent opposition to mainstream narratives, are actually contained within the same closed system. They both build upon premises established by Normieville – one opposing it (Anti) and the other supporting it (Pro). There is no establishment-approved way to opt out of this reality.
The concept of “News Bent Reality” is central to the argument – the idea that our internal concept of the world is steered by news media narratives. The author suggests that news media is often performative, enacting pre-fabricated narratives like a never-ending reality television production that seamlessly blends real and fake events.
Predictive programming plays a crucial role in this system. Rather than being the result of occult practices (as some conspiracy theorists suggest), the author argues it’s simply a sophisticated form of propaganda that conditions people to accept future fake news events. This is achieved through repetitive messaging and theme reinforcement across all media platforms.
He compares this media-manufactured worldview to a “Matrix”-like system, creating what they call an “immersive illusion” reinforced by feedback within media echo chambers. This illusion is maintained through:
1. Repetitive messaging across all media platforms
2. Coordination between news and entertainment sectors
3. The creation of artificial historical narratives
4. The merging of real and fake events
5. The use of fear as a control mechanism
He argues that this system has effectively replaced religion as the primary force shaping human worldview and belief systems. Just as religious believers internalize the myths and tenets of their holy books, modern humans internalize the media-created version of reality without questioning it.
He suggests that the only true outliers to this system are:
1. The actual perpetrators at the highest levels of the Psyop Entertainment Complex
2. “Autohoaxers” – media skeptics who recognize the World Stage as a manipulated model
A key point is that the entire system is compartmentalized. Even those participating in its creation (like crisis actors) may not understand the full scope of the deception. The author argues that except for a select few (like astronauts), very few people have the “overview” perspective to see how false the World Stage model truly is.
Ozman emphasizes that fear is a crucial tool in maintaining this system; that people must be kept “programmed to be triggerable” on various current issues, comparing this to “MK ULTRA on the Masses.”
Those who are passive media consumers are especially controllable, often participating in mass movements driven more by compelling narratives than facts.
According to the presented “offworld stage” perspective, traditional forms of resistance (like protesting) are ineffective because they operate within the system’s controlled parameters. Instead, they advocate for a form of “quarantine” for “deprogrammed minds” – those who have come to understand the nature of the deception.
The writing draws parallels to various popular culture references, particularly “The Matrix,” using the film’s concept of a simulated reality to illustrate how the media creates a false world view that blinds people to truth.
A significant portion of the Infinite Plane Radio podcast focuses on how this system creates and maintains historical narratives. The author argues that history itself is largely a record of agreed-upon fake news, becoming “real” to those inside the closed system because the feedback loop affirms its existence. This connects to Orwell’s concept that “who controls the past controls the future.”
Ozman concludes that both pro and anti positions on major issues are ultimately “World Stage positions” that only make sense if one accepts the mainstream frame of reference and its fundamental premises. True understanding requires stepping outside this framework entirely.
The text emphasizes that this system is not just about controlling information, but about controlling perception itself. It creates a shared mental construct that most people mistake for objective reality. This construct serves the interests of its controllers while keeping the majority of humanity trapped within various levels of false understanding, whether they consider themselves “awake” or not.
“Whoever controls the media, controls the mind” –Jim Morrison
